Shakespeare and Renaissance Drama
Book
The Shapes Of Revenge
Victimization, Vengeance, and Vindictiveness in Shakespeare.
Humanities Press, 1995.
Articles and Essays:
“Henry de Bracton, Renaissance Punishment Theory, and Shakespearean Closure.” Law and Literature (Fall 2008).
“Punishment Theory in the Renaissance: The Law and the Drama.” Shakespeare and the Law, edited by Paul Raffield and Gary Watts. Hart Publishing, 2008.
“Film as Performance: Cinematized Shakespeare.” In Shakespearean Performance: New Studies. Edited by Frank Occhiogrosso. (Fairleigh Dickinson University Press, 2008.)
“Storm, Fire, and Blood: Patterns of Imagery in Stuart Burge’s Julius Caesar.” In Shakespeare in Performance: A Collection of Essays, edited by Frank Occhiogrosso. Newark: University of Delaware Press, 2003
“The Progress of Revenge in the First Henriad.” Henry VI: Critical Essays, ed. by Thomas A. Pendleton (New York: Routledge, 2001)
“Shakespeare and Movie Genre: The Case of Hamlet.” The Cambridge Companion to Shakespeare on Film, ed. Russell Jackson (Cambridge: Cambridge University Press, 2000).
Review/Essay: "Marlowe and the Politics of English Theatre" by Simon Shepherd. New York: Medieval and Renaissance Drama in England 4, St. Martin's Press, 1986. (1989) 303-09.
"An Interview With Ron Daley, Director of The Spanish Tragedy." Shakespeare Bulletin. 4:3, 11-11. (1986)
"The New Jersey Shakespeare Festival's Merchant of Venice: A Case Study." On Stage Studies 9 (1985) 11-30.
"An Interview With Paul Barry, Artistic Director of the NJ Shakespeare Festival." Shakespeare Bulletin. 2:9, 7-9. (1984)
"Griselda on the Elizabethan Stage." Studies in English Literature 16:2 (Spring, 1976) 253-262.
"Shakespeare Among the Nations: The Tragedies in the International Cinema." The Literary Review 22:4, 490-91. (1979)
"A Checklist of Medieval and Renaissance Plays...on Film, Tape, and Recording." Research Opportunities in Renaissance Drama 7 (1974) 45-58.
"Dekker's Whore and Marston's Courtesan," English Language Notes, 4:4 (June, 1967), 261-266.
Book and Film Reviews on Shakespeare and Renaissance Drama
The Summoning of Everyman (film). Directed by Douglas Morse. Reviewed in Shakespeare Bulletin (July 2008).
Kenneth Burke on Shakespeare. Edited by Scott Newstok. Parlor Press, 2007. Reviewed in Shakespeare Bulletin (July 2008).
Shakespeare's Universe: Renaissance Ideas and Conventions, ed. by John M. Mucciolo, et al. Reviewed in Shakespeare Bulletin 15:3 (Summer 1997) 43.
Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 48, ed. by Stanley Wells. Reviewed in Shakespeare Bulletin 15:3 (Summer 1997) 46.
William Shakespeare: Writing for Performance by John Russell Brown. Reviewed in Shakespeare Bulletin 15:2 (Spring 1997) 44.
Shakespeare: World Views ed. by Heather Kerr, et al. Reviewed in Shakespeare Bulletin 15:3 (Summer 1997) 47.
Reading Shakespeare's Characters: Rhetoric, Ethics, and Identity by Christy Desmet. Reviewed in Renaissance Quarterly XLIX:2 (Summer 1996) 430-31.
Shakespeare's Professional Career by Peter Thomson. Reviewed in Shakespeare Bulletin, Spring 1994: 49.
Theatrical Presentation: Performer, Audience, and Art. By Bernard Beckerman. Reviewed in Shakespeare Bulletin Summer, 1993: 46-47.
Shakespeare and the Poet's Life. By Gary Schmidgall. Lexington: University of Kentucky
Press, 1990. Reviewed in Shakespeare Bulletin 9:2 (Spring 1991) 39-40.
Shakespeare on Screen: An International Filmography and Videography. By Kenneth Rothwell and A. H. Melzer. New York: Neal Schuman, 1990. Reviewed in Shakespeare on Film Newsletter 15:2 (April 1991) 15.
Shakespeare's Roman Worlds. By Vivian Thomas. New York: Routledge, 1989. Reviewed in Shakespeare Bulletin 9:1 (Winter 1991) 38.
Shylock Reconsidered: Jews, Moneylending, and Medieval Society by Joseph Shatzmiller. Berkeley: University of California Press, 1990. Reviewed in Shakespeare Bulletin 8:2 (Spring 1990).
Shakespeare and the Sense of Performance: Essays in the Tradition of Performance Criticism in Honor of Bernard Beckerman ed. by Marvin and Ruth Thomson. Reviewed in Shakespeare Bulletin 8:2 (Spring 1990) 35.
A Kind of Wild Justice: Revenge in Shakespeare's Comedies by Linda Anderson. Newark: University of Delaware Press, 1987. Reviewed in Shakespeare Bulletin. September, October-November/December 1988, p. 48.
Experiencing Shakespeare: Essays on Text, Classroom, and Performance by Charles H. Frey. Columbia: University of Missouri Press, 1988. Reviewed in Shakespeare Bulletin. September, October-November 1988:49.
The Elizabethan Hamlet by Arthur McGee. New Haven: Yale University Press, 1987. Reviewed in Shakespeare Bulletin. March/April 1988: 27.
Heavenly Necromancers: The Magician in English Renaissance Drama by Barbara Howard Traistor. Columbia: University of Missouri Press, 1984. Reviewed in Shakespeare Bulletin 5:6 November-December 1987: 44.
Thomas Dekker and the Traditions of English Drama by Larry S.Champion. New York: Peter Lang, 1985. Reviewed in Medieval and Renaissance Drama in England 3 (1986)
Engagement With Knavery: Point of View in Richard III, The Jew of Malta, Volpone, and The Revenger's Tragedy by Robert C. Jones. Durham: Duke University Press, 1986. Reviewed in Comparative Drama 21:1 (Spring 1987) 100-102.
Shakespeare Study Today: The Horace Howard Furness Memorial Lectures. Ed. Georgianna Ziegler. New York: AMS Press, 1986. Reviewed in Shakespeare Bulletin 4:4 (July/August 1986) 23-24.
Acting and Action in Shakespearean Tragedy. By Michael Goldman. Princeton: Princeton University Press, 1985. Reviewed in Comparative Drama 20:2 (Summer, 1986) 183-85.
Text and Performance. General Editor, Michael Scott. London: MacMillan, 1985. Twelfth Night, by Lois Potter. Reviewed in Shakespeare on Film Newsletter 10:1 (December, 1985) 8.
Radical Tragedy by Jonathan Dollimore. Reviewed in Medieval and Renaissance Drama in England 2 (1985): 314-20.
Crime and God's Judgment in Shakespeare by Robert Rentoul Reed, Jr. Reviewed in Shakespeare Bulletin 3:4 (July/August 1985) 23.
Shakespeare and Others by Samuel Schoenbaum. Reviewed in Shakespeare Bulletin, 3:4 (July/August l985) 19.
Shakespeare's Restorations of the Father by David Sundelson. Reviewed in Shakespeare Bulletin 3:13 (May/June 1985) 26-27.
Literary Love: The Role of Passion in English Poems and Plays of the 17th Century by A.J. Smith. Reviewed in Renaissance Quarterly 38:3 (Autumn, 1984) 499- 501.
Shakespeare and the Arts, ed. C.W. Cary and H.S. Limouze. Reviewed in Shakespeare on Film Newsletter 8:1 (December, 1983) 6-7.
The Gap in Shakespeare by Colin Manlove. Reviewed in Renaissance Quarterly, 36:1 (Spring 1983).
"The London Traveler: Notes on the London Season, June-July 1983." Reviewed in The Bulletin of the New York Shakespeare Society 2:2 (August 1983) 1-3,26.
The Revenger's Madness by Charles and Elaine Hallett. Reviewed in Medieval and Renaissance Drama in England 1 (1983) 271-274.
Natalie/Natalia by Nicholas Moseley; Pocock & Pitt by Elliott Baker; Heck by Maurice Renek; Reviewed in Book World, Oct. 3, 1971.
Theatre Reviews
Twelfth Night (Shakespeare). Backa Teater, Stockholm. Shakespeare Bulletin, Winter 1994: 35-36.
King Lear. Banyu Inroyku Company at the Tokyo Globe, Tokyo. Shakespeare Bulletin (Winter 1994) 40.
A Midsummer Night's Dream. National Asian-American Theatre Company at the Alma Schapiro Center for Theatre and Music, New York. Shakespeare Bulletin (Summer 1992) 19.
Twelfth Night by William Shakespeare. (Royston Company at Playhouse 125). Shakespeare Bulletin 9:3 (Summer 1991) 14-15.
Hamlet (Shakespeare): with co-author, Marjorie Deiter Keyishian. (Royal Shakespeare Company, Stratford) Shakespeare Bulletin 8:1 (Winter 1990) 32.
1 Henry IV by William Shakespeare. (The New York Shakespeare Festival.) Shakespeare Bulletin 5:6, p. 9.
The Tempest (Theatre Classics Repertory Company). Shakespeare Bulletin 5:3 (May/June 1987) 11.
The Spanish Tragedy by Thomas Kyd. (The Classic Theatre/ Riverside Shakespeare Company); nterview with Ron Daley, director. Shakespeare Bulletin 4:3 (May/June 1986) 10-11.
The Merry Wives of Windsor (New Jersey Shakespeare Festival). Shakespeare Bulletin 3:6 (November/December 1985) 11.
Two Gentlemen of Verona. (American Shakespeare Repertory) Shakespeare Bulletin. 2:12/3:1 (November/December 1984, January/February 1985) 27.
"Twelfth Night." (Lincoln Center Institute) Shakespeare Bulletin. 2:12/3:1 (January/February 1985) 29.
"Othello and The Merchant of Venice." Shakespeare Bulletin. 2:11 (September-October 1984) 15-17.
"New Jersey Shakespeare Festival, 1980" [Reviews of Macbeth and Comedy of Errors]. Shakespeare Quarterly 32:2 (Summer, 1981) 199-200.
The Shapes Of Revenge
Victimization, Vengeance, and Vindictiveness in Shakespeare.
Humanities Press, 1995.
Articles and Essays:
“Henry de Bracton, Renaissance Punishment Theory, and Shakespearean Closure.” Law and Literature (Fall 2008).
“Punishment Theory in the Renaissance: The Law and the Drama.” Shakespeare and the Law, edited by Paul Raffield and Gary Watts. Hart Publishing, 2008.
“Film as Performance: Cinematized Shakespeare.” In Shakespearean Performance: New Studies. Edited by Frank Occhiogrosso. (Fairleigh Dickinson University Press, 2008.)
“Storm, Fire, and Blood: Patterns of Imagery in Stuart Burge’s Julius Caesar.” In Shakespeare in Performance: A Collection of Essays, edited by Frank Occhiogrosso. Newark: University of Delaware Press, 2003
“The Progress of Revenge in the First Henriad.” Henry VI: Critical Essays, ed. by Thomas A. Pendleton (New York: Routledge, 2001)
“Shakespeare and Movie Genre: The Case of Hamlet.” The Cambridge Companion to Shakespeare on Film, ed. Russell Jackson (Cambridge: Cambridge University Press, 2000).
Review/Essay: "Marlowe and the Politics of English Theatre" by Simon Shepherd. New York: Medieval and Renaissance Drama in England 4, St. Martin's Press, 1986. (1989) 303-09.
"An Interview With Ron Daley, Director of The Spanish Tragedy." Shakespeare Bulletin. 4:3, 11-11. (1986)
"The New Jersey Shakespeare Festival's Merchant of Venice: A Case Study." On Stage Studies 9 (1985) 11-30.
"An Interview With Paul Barry, Artistic Director of the NJ Shakespeare Festival." Shakespeare Bulletin. 2:9, 7-9. (1984)
"Griselda on the Elizabethan Stage." Studies in English Literature 16:2 (Spring, 1976) 253-262.
"Shakespeare Among the Nations: The Tragedies in the International Cinema." The Literary Review 22:4, 490-91. (1979)
"A Checklist of Medieval and Renaissance Plays...on Film, Tape, and Recording." Research Opportunities in Renaissance Drama 7 (1974) 45-58.
"Dekker's Whore and Marston's Courtesan," English Language Notes, 4:4 (June, 1967), 261-266.
Book and Film Reviews on Shakespeare and Renaissance Drama
The Summoning of Everyman (film). Directed by Douglas Morse. Reviewed in Shakespeare Bulletin (July 2008).
Kenneth Burke on Shakespeare. Edited by Scott Newstok. Parlor Press, 2007. Reviewed in Shakespeare Bulletin (July 2008).
Shakespeare's Universe: Renaissance Ideas and Conventions, ed. by John M. Mucciolo, et al. Reviewed in Shakespeare Bulletin 15:3 (Summer 1997) 43.
Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 48, ed. by Stanley Wells. Reviewed in Shakespeare Bulletin 15:3 (Summer 1997) 46.
William Shakespeare: Writing for Performance by John Russell Brown. Reviewed in Shakespeare Bulletin 15:2 (Spring 1997) 44.
Shakespeare: World Views ed. by Heather Kerr, et al. Reviewed in Shakespeare Bulletin 15:3 (Summer 1997) 47.
Reading Shakespeare's Characters: Rhetoric, Ethics, and Identity by Christy Desmet. Reviewed in Renaissance Quarterly XLIX:2 (Summer 1996) 430-31.
Shakespeare's Professional Career by Peter Thomson. Reviewed in Shakespeare Bulletin, Spring 1994: 49.
Theatrical Presentation: Performer, Audience, and Art. By Bernard Beckerman. Reviewed in Shakespeare Bulletin Summer, 1993: 46-47.
Shakespeare and the Poet's Life. By Gary Schmidgall. Lexington: University of Kentucky
Press, 1990. Reviewed in Shakespeare Bulletin 9:2 (Spring 1991) 39-40.
Shakespeare on Screen: An International Filmography and Videography. By Kenneth Rothwell and A. H. Melzer. New York: Neal Schuman, 1990. Reviewed in Shakespeare on Film Newsletter 15:2 (April 1991) 15.
Shakespeare's Roman Worlds. By Vivian Thomas. New York: Routledge, 1989. Reviewed in Shakespeare Bulletin 9:1 (Winter 1991) 38.
Shylock Reconsidered: Jews, Moneylending, and Medieval Society by Joseph Shatzmiller. Berkeley: University of California Press, 1990. Reviewed in Shakespeare Bulletin 8:2 (Spring 1990).
Shakespeare and the Sense of Performance: Essays in the Tradition of Performance Criticism in Honor of Bernard Beckerman ed. by Marvin and Ruth Thomson. Reviewed in Shakespeare Bulletin 8:2 (Spring 1990) 35.
A Kind of Wild Justice: Revenge in Shakespeare's Comedies by Linda Anderson. Newark: University of Delaware Press, 1987. Reviewed in Shakespeare Bulletin. September, October-November/December 1988, p. 48.
Experiencing Shakespeare: Essays on Text, Classroom, and Performance by Charles H. Frey. Columbia: University of Missouri Press, 1988. Reviewed in Shakespeare Bulletin. September, October-November 1988:49.
The Elizabethan Hamlet by Arthur McGee. New Haven: Yale University Press, 1987. Reviewed in Shakespeare Bulletin. March/April 1988: 27.
Heavenly Necromancers: The Magician in English Renaissance Drama by Barbara Howard Traistor. Columbia: University of Missouri Press, 1984. Reviewed in Shakespeare Bulletin 5:6 November-December 1987: 44.
Thomas Dekker and the Traditions of English Drama by Larry S.Champion. New York: Peter Lang, 1985. Reviewed in Medieval and Renaissance Drama in England 3 (1986)
Engagement With Knavery: Point of View in Richard III, The Jew of Malta, Volpone, and The Revenger's Tragedy by Robert C. Jones. Durham: Duke University Press, 1986. Reviewed in Comparative Drama 21:1 (Spring 1987) 100-102.
Shakespeare Study Today: The Horace Howard Furness Memorial Lectures. Ed. Georgianna Ziegler. New York: AMS Press, 1986. Reviewed in Shakespeare Bulletin 4:4 (July/August 1986) 23-24.
Acting and Action in Shakespearean Tragedy. By Michael Goldman. Princeton: Princeton University Press, 1985. Reviewed in Comparative Drama 20:2 (Summer, 1986) 183-85.
Text and Performance. General Editor, Michael Scott. London: MacMillan, 1985. Twelfth Night, by Lois Potter. Reviewed in Shakespeare on Film Newsletter 10:1 (December, 1985) 8.
Radical Tragedy by Jonathan Dollimore. Reviewed in Medieval and Renaissance Drama in England 2 (1985): 314-20.
Crime and God's Judgment in Shakespeare by Robert Rentoul Reed, Jr. Reviewed in Shakespeare Bulletin 3:4 (July/August 1985) 23.
Shakespeare and Others by Samuel Schoenbaum. Reviewed in Shakespeare Bulletin, 3:4 (July/August l985) 19.
Shakespeare's Restorations of the Father by David Sundelson. Reviewed in Shakespeare Bulletin 3:13 (May/June 1985) 26-27.
Literary Love: The Role of Passion in English Poems and Plays of the 17th Century by A.J. Smith. Reviewed in Renaissance Quarterly 38:3 (Autumn, 1984) 499- 501.
Shakespeare and the Arts, ed. C.W. Cary and H.S. Limouze. Reviewed in Shakespeare on Film Newsletter 8:1 (December, 1983) 6-7.
The Gap in Shakespeare by Colin Manlove. Reviewed in Renaissance Quarterly, 36:1 (Spring 1983).
"The London Traveler: Notes on the London Season, June-July 1983." Reviewed in The Bulletin of the New York Shakespeare Society 2:2 (August 1983) 1-3,26.
The Revenger's Madness by Charles and Elaine Hallett. Reviewed in Medieval and Renaissance Drama in England 1 (1983) 271-274.
Natalie/Natalia by Nicholas Moseley; Pocock & Pitt by Elliott Baker; Heck by Maurice Renek; Reviewed in Book World, Oct. 3, 1971.
Theatre Reviews
Twelfth Night (Shakespeare). Backa Teater, Stockholm. Shakespeare Bulletin, Winter 1994: 35-36.
King Lear. Banyu Inroyku Company at the Tokyo Globe, Tokyo. Shakespeare Bulletin (Winter 1994) 40.
A Midsummer Night's Dream. National Asian-American Theatre Company at the Alma Schapiro Center for Theatre and Music, New York. Shakespeare Bulletin (Summer 1992) 19.
Twelfth Night by William Shakespeare. (Royston Company at Playhouse 125). Shakespeare Bulletin 9:3 (Summer 1991) 14-15.
Hamlet (Shakespeare): with co-author, Marjorie Deiter Keyishian. (Royal Shakespeare Company, Stratford) Shakespeare Bulletin 8:1 (Winter 1990) 32.
1 Henry IV by William Shakespeare. (The New York Shakespeare Festival.) Shakespeare Bulletin 5:6, p. 9.
The Tempest (Theatre Classics Repertory Company). Shakespeare Bulletin 5:3 (May/June 1987) 11.
The Spanish Tragedy by Thomas Kyd. (The Classic Theatre/ Riverside Shakespeare Company); nterview with Ron Daley, director. Shakespeare Bulletin 4:3 (May/June 1986) 10-11.
The Merry Wives of Windsor (New Jersey Shakespeare Festival). Shakespeare Bulletin 3:6 (November/December 1985) 11.
Two Gentlemen of Verona. (American Shakespeare Repertory) Shakespeare Bulletin. 2:12/3:1 (November/December 1984, January/February 1985) 27.
"Twelfth Night." (Lincoln Center Institute) Shakespeare Bulletin. 2:12/3:1 (January/February 1985) 29.
"Othello and The Merchant of Venice." Shakespeare Bulletin. 2:11 (September-October 1984) 15-17.
"New Jersey Shakespeare Festival, 1980" [Reviews of Macbeth and Comedy of Errors]. Shakespeare Quarterly 32:2 (Summer, 1981) 199-200.